Pages

3.03.2010

Swann in Love (vol I, p 362 ff) Notes from week 22: What Not to Say at Dinner


"It looks as though it were done with nothing at all," resumed the painter. "No more chance of discovering the trick than there is in the 'Night Watch,' or the 'Regents,' and it's even bigger work than either Rembrandt or Hals ever did."


REMBRANDT (Dutch painter, 1606–69). Essay and larger image are at this Rembrandt site.   Real title is Company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenhurch; in French, "La Ronde."




HALS, Frans (Dutch painter, c. 1580–1666).  There are several Hals paintings in the Louvre, but not the Regents.  Franz Hals' Women Regents of the Haarlem Almshouse (1664)
Franz Hals (Wiki)
"Except at the moment when he had called it "bigger than the 'Night Watch,'" a blasphemy which had called forth an instant protest from Mme.Verdurin, who regarded the 'Night Watch' as the supreme masterpiece of the universe (conjointly with the 'Ninth' and the 'Samothrace')..."
That would be Ludwig van Beethoven's Ninth Symphony (listen to the midi here, no downloading required) ; here's the Wiki write-up.  It certainly was no stretch for Mme. Verdurin to regard this as a masterpiece -- so did everyone else!


<== Nike of Samothrace in the Louvre:  different photos, Wiki write-up of Winged Victory, a fantastic audio/video exploration of the statue in detail, long view of the Daru staircase in the Louvre.
 ~~~~~~~~
    "It's not a Japanese salad, is it?" she whispered, turning towards Odette.
    And then, in her joy and confusion at the combination of neatness and daring which there had been in making so discreet and yet so unmistakable an allusion to the new and brilliantly successful play by Dumas, she broke down in a charming, girlish laugh, not very loud, but so irresistible that it was some time before she could control it.
p 362 | The salad is described in the Dumas fils play Francillon.  Here's the NY Times review (1887) and an academic essay (page 1 only) on Proust & Dumas fils.  An etching of a scene from the play is for sale. 

Here is a recipe (and photos) of the dish, made by Shari at her food blog, Whisk (she calls it "Salade Francillon"), with directions taken from the text of the play.  Mme. Cottard's witty salad retort seems to be made of potato salad with mussels and truffles.  Oh, here is a second write-up; apparently this dish became quite a Parisian fad!
"Now, Serge Panine--! But then, it's like everything that comes from the pen of M. Georges Ohnet, it's so well written. I wonder if you know the Maître des Forges, which I like even better than Serge Panine."                                                                                                                            Pardon me," said Swann with polite irony, "but I can assure you that my want of admiration is almost equally divided between those masterpieces." (p 364)
Swann's word "masterpieces" echoes Mme. Verdurin's, a few paragraphs earlier.  Forchville says:
What with him and M. Bréchot, you've drawn two lucky numbers to-night...
mis-pronouncing Brichot's name for the second time. He's the hit of the party, but can't call the faithful by their correct names. Is he just careless? Brichot himself will later mispronounce de La Trémouailles Then he destroys Swann's carefully-maintained persona, by aligning him with "bores":
The creature spends all his time shut up with the La Trémoïlles, with the Laumes and all that lot!" 
Now then. The La Trémoïlles  were a real French family line. The Laumes are created characters; however, we have already met them (in the future) in Combray and will be with them for the whole novel.  The Princesse des Laumes will become Oriane, Duchesse de Guermantes (who looked at the Narrator in "her" church); the Prince des Laumes will become Basin, Duc de Guermantes when he accedes to the title. (He is also the brother of Charlus [in the garden with Gilberte & Odette in Combray, wearing white linen slacks] and Mme de Saint-Loup).

When Mme Verdurin hears this, she goes all catatonic:
"He saw then that in her fixed resolution to take no notice, to have escaped contact, altogether, with the news which had just been addressed to her, not merely to remain dumb but to have been deaf as well, as we pretend to be when a friend who has been in the wrong attempts to slip into his conversation some excuse which we should appear to be accepting, should we appear to have heard it without protesting, or when some one utters the name of an enemy, the very mention of whom in our presence is forbidden; Mme. Verdurin, so that her silence should have the appearance, not of consent but of the unconscious silence which inanimate objects preserve, had suddenly emptied her face of all life, of all mobility;...  "
actually echoing the white stillness of the Winged Victory statue a few paragraphs before. Then, to preserve the unanimity of the group, they attack Swann, insult his friends, Odette gets into the act, Forcheville and Brichot want to discuss Fenelon's concepts of intelligence, Saniette is berated for no good reason, but feels compelled to make up a nasty story that the Duc didn't know George Sand was a woman. 
 She had remarked, more than once, how Swann and Forcheville suppressed the particle 'de' before that lady's name. Never doubting that it was done on purpose, to show that they were not afraid of a title, she had made up her mind to imitate their arrogance, but had not quite grasped what grammatical form it ought to take. 
There is a trick to it. And it's on this page... the Particule. Another reason she rejected their society?

Gustave Moreau paintings. Proust wrote an essay on him in 1898: Notes on the Mysterious World of Gustave Moreau.

Links :
 George Sand   
{"And, in the first episode of the "Overture" to Swann's Way - the first novel in Marcel Proust's In Search of Lost Time sequence - a young, distraught Marcel is calmed by his mother as she reads from François le Champi, a novel which it is explained was part of a birthday package from his grandmother which also included La Mare au Diable, La Petite Fadette, and Les Maîtres Sonneurs. As with many episodes involving art in À la recherche du temps perdu, this reminiscence includes commentary on the work."}
Palais de l'Industrie 

Mme de Sevigné and Wiki (she reappears frequently)
 "Se non è vero, è ben trovato."  Translation: "If it's not true, it's a good story."

Henri d’ORLÉANS, duc d’ AUMALE  (1822-1897)  Académy;   Wiki

l’île des Cygnes ; great 360-view from the island

2.28.2010

Notes on week 21: Dinner conversation

"And so, when she was in a happy mood because she was going to see the Reine Topaze, or when her eyes grew serious, troubled, petulant, if she was afraid of missing the flower-show, or merely of not being in time for tea, with muffins and toast, at the Rue Royale tea-rooms, where she believed that regular attendance was indispensable, and set the seal upon a woman’s certificate of ‘smartness,’..."

La Reine Topaze: 1856 opera Carnaval de Venise, composed by Victor MASSÉ
Si la musique de Victor Massé n'est guère tenue en estime aujourd'hui, il faut croire que ce sentiment était déjà partagé par certains de ses contemporains. En témoigne cet extrait de Du côté de chez Swann de Proust ; le personnage de Swann (grand bourgeois très cultivé) s'irrite de ce que sa maîtresse Odette de Crécy (demi-mondaine absolument dénuée de goût en matière artistique) souhaite aller voir un opéra de Victor Massé intitulé Une nuit de Cléopâtre, opéra qu'il juge consternant :
« Ce n'est pas de la colère, pourtant, se disait-il à lui-même, que j'éprouve en voyant l'envie qu'elle a d'aller picorer dans cette musique stercoraire. C'est du chagrin, non pas certes pour moi, mais pour elle ; du chagrin de voir qu'après avoir vécu plus de six mois en contact quotidien avec moi, elle n'a pas su devenir assez une autre pour éliminer spontanément Victor Massé ! »
Rue Royal Tea-Rooms...
"Under the Second Empire, cafes developed and became more and more luxurious. They attracted Parisian high society. Along with the chic restaurants around the Madeleine, they became the showcases of the capital..."

Renaissance furniture and fireplaces like the Château at Blois    (more photos here)
















Blanche of Castille (1188-1252); Queen Consort of France, wife of King Louis VIII.
"Upon his death, he left Blanche regent and guardian of his children. Of her twelve or thirteen children, six had died, and Louis, the heir — afterwards the sainted Louis IX — was but twelve years old. The situation was critical, for the hard-won domains of the house of Capet seemed likely to fall to pieces during a minority. Blanche had to bear the whole burden of affairs alone, to break up a league of the barons (1226), and to repel the attack of the king of England (1230). But her energy and firmness overcame all dangers."
  
...A lively topic for Brichot's dinner conversation...




Chronicles of St.-Denis:  The miniature at left shows Philip the Good, the Duke of Burgundy, being presented with the Chroniques by Abbot Guillaume Fillastre, on 1 January 1457. They were sold at auction
  




Suger , the abbot of St.-Denis, (c. 1081 – 13 January 1151) was one of the last French abbot-statesmen, a historian, and the influential first patron of Gothic architecture.




 

2.26.2010

Notes on week 21: The Princesse de Sagan was real

What had happened was that they had at once discovered in him a locked door, a reserved, impenetrable chamber in which he still professed silently to himself that the Princesse de Sagan was not grotesque, and that Cottard's jokes were not amusing;
 Princesse de Sagan (NY Times, 1908); Wiki (Fr.); Wiki (Eng.)

"The Walters watercolor is a study for a painting entitled Fête chez la princess de Sagan (1883, private collection), which was produced to commemorate a ball held in 1883 at the Sagan mansion near Les Invalides in Paris (now the Polish embassy). Therefore, the inscription on the back of the watercolor--"Study for a party at the Durazzo Palace, executed for Monsieur the Viscomte Henri Greffuhle"--is partially incorrect. Although this work was indeed in Greffuhle's collection, the nature of this image as a preparatory study causes us to question the viscount's role in its commission. It is more likely that he simply purchased the watercolor from the artist as a memento of the occasion for his wife, the comtesse Greffuhle.1 Moreover, the statement that the ball took place at the Durazzo Palace is misleading as the party occurred at the princess's Parisian home. The confusion, however, is easily explained by the fact that for the ball the princess had the entryway and grand staircase of the Durazzo Palace in Genoa reconstructed in her own house."


2.21.2010

Swann's Way Texts online

French
English
Bi-lingual
Study Guides
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Other books

Proust & the Sense of Time (Julia Kristeva)

    2.01.2010

    Pages for February

    1  SWANN’S WAY:   Part 2  SWANN IN LOVE
    (Enright paging; yours may differ)


    Week 19:  2/4
    Odette, a Florentine painting (316). Love letter from Odette written from the Maison Dorée (319). Swann’s arrival at the Verdurins’ one evening after Odette’s departure (320); anguished search in the night (323).

                     No meeting Thursday, February 11th.

    Week 20: 2/18
    The cattleyas (328); she becomes his mistress (331). Odette’s vulgarity (341); her idea of “chic” (344). Swann begins to adopt her tastes (348) 


    Week 21: 2/25
    and considers the Verdurins “magnanimous people” (352). Why, nevertheless, he is not a true member of the “faithful,” unlike Forcheville (355). A dinner at the Ver­durins’: Brichot (356), Cottard (357), the painter (361), Saniette (370). 

    1.28.2010

    Notes on Week 18: More art

    Odette as Zipporah....Botticelli  "The Trials of Moses" (1481-82) Sistine Chapel, Rome
    He [Swann] had always found a peculiar fascination in tracing in the paintings of the old masters not merely the general characteristics of the people whom he encountered in his daily life, but rather what seems least susceptible of generalization, the individual features of men and women whom he knew . . . in the colouring of a Ghirlandaio, the nose of M. de Palancy
      Cattleya orchids   

    By the way, there's a lovely Proust site, all in Italian. Click here to see her Proust photographs. Isn't it wonderful to be connected to a worldwide literary appreciation?

    Our Lady of Laghet (Odette's medal). Photos here.

     "... those interiors by Pieter de Hooch....   {Pieter de Hooch, also spelled "Hoogh" or "Hooghe", baptized December 20, 1629 – 1684) was a genre painter during the Dutch Golden Age. He was a contemporary of Dutch Master Jan Vermeer, with whom his work shared themes and style.}

    1.24.2010

    Cinema Proust


    Here are the movies we spoke of:

    Swann in Love (vol I p 265 ff) Notes on week 17 :: Music

    Who Wrote Vinteuil's Sonata?
    Excellent blog article by Blair Sanderson on which composer's work may have been the model for Vinteuil's sonata -- truly a long-running literary mystery.  He makes a case for several different composers (Fauré, Franck, Debussy, Saint-Saens, even Wagner), and, best of all, includes musical links.

    p 265 | By the way, Dr. Potain was a real person. (The sphygmomanometer was the first accurate and practical instrument for estimating blood pressure. In the version invented by Pierre Potain (1825-1901), a rubber tube with an aneroid manometer was attached to a compressible bulb filled with air. Major, Ralph H. Major, A History of Medicine. 1954., p. 890)

    Loveseat in Beauvais fabric (1855)


    The chairs and sofas of the latter half of the reign of Louis Quatorze are exceedingly grand and rich. The suite of furniture for the state apartment of a prince or wealthy nobleman comprised a canapé, or sofa, and six fauteils, or arm chairs, the frames carved with much spirit, or with "feeling," as it is technically termed, and richly gilt. The backs and seats were upholstered and covered with the already famous tapestry of Gobelins or Beauvais.  (Frederick Litchfield, Illustrated History of Furniture From the Earliest to the Present Time)

    Here is a modern restoration of a settee and a Beauvais tapestry and another Beauvais-covered piece, about in the middle of the page.  From the text:
       And Mme. Verdurin, seeing Swann by himself upon a chair, made him get up. "You're not at all comfortable there; go along and sit by Odette; you can make room for M. Swann there, can't you, Odette?"
       "What charming Beauvais!" said Swann, stopping to admire the sofa before he sat down on it, and wishing to be polite.
         "I am glad you appreciate my sofa," replied Mme. Verdurin, "and I warn you that if you expect ever to see another like it you may as well abandon the idea at once. They never made any more like it. And these little chairs, too, are perfect marvels. You can look at them in a moment. The emblems in each of the bronze mouldings correspond to the subject of the tapestry on the chair; you know, you combine amusement with instruction when you look at them;--I can promise you a delightful time, I assure you... (Swann in Love, Montcrieff tr.)

    Axel's Castle by Edmund Wilson

    Edmund Wilson was one of the most important literary critics of the 20th century. Axel's Castle is an essay collection covering Symbolist authors from Arthur Rimbaud to Gertrude Stein, and includes an excellent one on Marcel Proust. You can read the text here. Here is Wilson on Proust's multi-functional neurotic illnesses:

    Proust had evidently come to use his illness as a pretext for escaping the ordinary contacts with the world, for being relieved from the obligations of punctuality and from embarrassing encounters. His super-normal sensitiveness must have made the social life which so fascinated him inordinately difficult for him; and his illness gave him a sort of counter-advantage over people whom, with the deep-rooted snobbery which co-existed with a bold and searching intelligence, he imagined to possess some advantage over him. His illness enabled him to come late and, by doing so, to attract attention; to attract attention and provoke compassion by sitting at dinner in his overcoat; or not to come at all and, by stimulating people's interest, to make them all the more eager to entertain him.  (p. 167)
    In addition, here is a link to a 1927 article on Proust by Edmund Wilson in The New Republic.