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| by Armand Guillaumin |
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p 460 | "a ‘modern style’ of decoration, employing Lebourg or Guillaumin."
p 468 |"she regarded Princes as enviable above all other men because they were able to have a Labruyère, a Fénelon as their tutors..."
7.19.2011
Within a Budding Grove (vol II pp 449-68) Notes for July 2011
p 449 | M. first sees Charlus at Tansonville: “Gilberte, come along; what are you doing?” called out in a piercing tone of authority a lady in white, whom I had not seen until that moment, while, a little way beyond her, a gentleman in a suit of linen ‘ducks,’ whom I did not know either, stared at me with eyes which seemed to be starting from his head; the little girl’s smile abruptly faded, and, seizing her trowel, she made off without turning to look again in my direction, with an air of obedience, inscrutable and sly."
p 450 | "Possessing, by virtue of his descent from the Ducs de Nemours and Princes de Lamballe, documents, furniture, tapestries, portraits painted for his ancestors by Raphael, Velasquez, Boucher, ..."
p 460 | "a ‘modern style’ of decoration, employing Lebourg or Guillaumin."
p 468 |"she regarded Princes as enviable above all other men because they were able to have a Labruyère, a Fénelon as their tutors..."
p 460 | "a ‘modern style’ of decoration, employing Lebourg or Guillaumin."
p 468 |"she regarded Princes as enviable above all other men because they were able to have a Labruyère, a Fénelon as their tutors..."
