Notes for Sept 1, 2011 (p 522-32)

p 522 | Pencil drawings  by Pisanello. The drawing of Sigismund of Luxembourg is in the Louvre; did Proust see it there?
Gallé's glassÉmile Gallé, Art Nouveau artist who worked in glass.

p 523 | confraternity: a group of men united for some particular purpose, esp Christian laymen organized for religious or charitable service; brotherhood [from Medieval Latin: confraternitas; see confrère, fraternity]
reliquary:   (Ecclesiastical Terms) a receptacle or repository for relics, esp relics of saints [from Old French reliquaire, from relique relic]
| predella : (Art) a painting or sculpture or a series of small paintings or sculptures in a long narrow strip forming the lower edge of an altarpiece or the face of an altar step or platform.
| reredos:  a screen or wall decoration on the wall at the back of an altar, as a tapestry, painting, or piece of metalwork or sculpture.
|  <-- gray mullet 
p 526 | butterfly signature of James McNeill Whistler; his painting of Lady Meux, titled "Harmony in Pink and Grey."
| What Marcel saw out the window.... click "Photo Gallery" for Grand Hotel (modern) photos.  Webcams at Balbec.  
p 527 | First mention of Dreyfus! (So the year is maybe summer of 1895?)
p 529 | Cauteries... cautery: Agent or instrument that destroys abnormal tissue by burning, searing, or scarring, including caustic substances, electric currents, lasers, and very hot or very cold instruments.
p 531 | a fortiori: for similar but more convincing reasons.


Le Cercle de la Rue Royale (p 481)

Le Balcon du Cercle de la Rue Royale, by James Tissot, 1868

p 481 |  The Rue Royale was an exclusive men's club, not snooty enough for Saint-Loup's family, whose father had been  president of the Jockey Club, since Jews were occasionally admitted (see Charles Haas, far right).  From left to right: Comte de La Tour-Maubourg, Marquis de Lau, Comte de Ganay, Comte de Rochechouart, C. Vansittant, Marquis de Miramon, Baron Hottinguer (former owner of the painting), Marquis de Ganay, Gaston de Saint-Maurice, Prince de Polignac, Marquis de Gallifet et Charles Haas (standing on the step, not quite in... Haas was the main model for Charles Swann).


Notes for August (p 467-81)

p 467 | Monomotapa was a Kafir territory in SE Africa, thought to be mythological, but attested to by Portuguese & Dutch sources from the 16th century onward, and continuing as far northward as beyond the Zambezi. La Fontaine (1621-95) seems to have chosen it as an example of an exotic distant land.  [fn 1, re: The Two Friends (VIII, 11), p. 423, The Complete Fables of Jean de La Fontaine, by Jean de La Fontaine, Norman R. Shapiro. Chicago: University of Illinois Press, 2007} See also Wikipedia for Kingdom of Mutapa.

Alfred de Musset
p 475 | Alfred de Musset  (1810 – 57; Académicien): French dramatist, poet, novelist & lover of George Sand. L'espoir en Dieu was a poem published in La Revue des Deux Mondes in 1838.

p 476 | Mme Cornuel: Anne-Marie Bigot, dame Cornuel (1614 (?) - 94), French salonista, aphorist, and wit of the 17th century. She is credited with saying "No man is a hero to his valet."
| ... swallow-tail coat: The front is cut away, leaving just the tails in back. See this page and Wikipedia.

p 478 | ... pepla: variant of peplum (flounce or short, flared flap attached at the waist of a dress, blouse, coat, etc., and extending around the hips).
|... fandangle: variant of fandango (foolish act, nonsense).
|... calumniate: slander
|... rigmarole: foolish or incoherent rambling talk or nonsense; an involved, fussy, time-wasting procedure
 p 480 | ...consanguinity: blood relationship, or other close association or connection
Duke d'Aumale

| Duke d'Aumale: (Prince) Henri Louis d'Orléans, duc d'Aumale (1822–97), 5th son of Louis-Philippe, King of the French & Duc d'Orléans and Marie Amalie of Bourbon-Sicilies, was a leader for the Orleanist cause of a constitutional monarchy in France (Wiki).
| ...Princesse Murat/Queen of Naples: This was Caroline Bonaparte.

p 481| Victoria carriage: French carriage, named for Queen Victoria at least by 1844, and renowned for its elegance. It was first imported into England by the Prince of Wales in 1869, where it rapidly gained popularity. It was usually pulled by one or two horses. The victoria was a low, light, four-wheeled, doorless vehicle with a forward-facing seat for two persons covered with a folding top, or calash, and a removable, elevated coachman’s seat above the front axle. The graceful body curved down from the coachman’s seat to the floorboards, and up again like a gently sloping chair. The Grand Victoria had a rumble seat for two extra passengers.  (Brittanica)