Sodom and Gomorrah IV pp 447-55

p 447 |  The English name "Normans" (settled in Normandy, France) comes from the French words Normans/Normanz, plural of Normant, modern French normand, which is itself borrowed from Old Low Franconian Nortmann "Northman" or directly from Old Norse Norðmaðr, Latinized as Nortmannus (recorded in Medieval Latin, 9th century) to mean "Norseman, Viking". (Wikipedia)

p 447 | The Tour d'Argent, on the Left Bank, was, and remains, one of the great restaurants of Paris; the Hotel Meurice, on the rue de Rivoli, was one of the city's best in Proust's day.

Boutroux

p 448 | Émile Boutroux (1845-1921) was an eminent 19th century French philosopher of science & religion and an historian of philosophy. He firmly opposed materialism in science. He ... defended the idea that religion & science are compatible...  His work is overshadowed... by that of his student, the more celebrated Henri Bergson. He was elected to the Academy of Moral & Political Sciences in 1898 & to the Académie française in 1912. (Wiki)

Académie française

p 448 | Académie française : The Forty are the "Immortals," or the forty members of the Académie française. Not all the names Brichot cites are actual Academicians. (Storrock)

p 448-9 | Henri Houssaye; Olivier Lefèvre d'Ormesson; Édouard René de Laboulaye: Honoré Le Peletier, comte d'Aunay; M. de Bussière; M. Albaret; M. de Cholet; M. dela Pommeraye

p 449 | Paul Porel (Paul Désire Parfouru, 1843-1917), actor &  theater director, who ran the Odéon on the Left Bank, from 1884 to 1892, hence "Odéonia." He was married to the comedienne Réjane (one of the models for Berma), who, with their son Jacques Porel were friends with Proust. 

p 449 | The Théâtre de l'Odéon is one of France's six national theatres. It is located at 2 rue Corneille in the 6th arrondissement of Paris on the left bank of the Seine, next to the Luxembourg Garden. It was originally built between 1779 and 1782, in the garden of the former Hôtel de Condé, to a Neoclassical design by Charles De Wailly and Marie-Joseph Peyre. The Odéon was originally intended to house the Comédie Française, which, however, preferred to stay at the Théâtre-Français in the Palais Royal. The new theatre was inaugurated by Marie-Antoinette on April 9, 1782.

p 450 | Even though Moncrieff uses "-ast" here, the French has "-arder", which Sturrock suggests could possibly stand for pétarder, meaning "to blow one's top" -- and possibly several other slangy meanings. I think Moncrieff used his translator's licence to indicate that the two men were gossiping about Charlus being gay (i.e., "pederast"). Remember Marcel has already indicated that the people in one's social circle wouldn't mention or notice it, but outsiders would do both.

p 452 | La Chercheuse d'esprit, a comic opera with words by Charles-Simon Favart (1710-92) and music by Jean-Claude Trial (1732-71), first presented in 1741.

p 453 | The Sarmatians were a large confederation of Iranian people during classical antiquity, flourishing from about the 5th century BC to the 4th century AD. They spoke Scythian, an Indo-European language from the Eastern Iranian family.

p 454 | ... the Rohans...: The House of Rohan is a French noble family of viscounts, later dukes and princes, coming from the locality of Rohan in Brittany. 

architrave

p 454 | architrave: the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.

Odéon

the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.

p 455 | galantine: A galantine is a Polish dish of de-boned stuffed meat, most commonly poultry or fish, that is poached and served cold, coated with aspic.

p 455 | Mme Jeanne Samary: 19th century actress and model (Renoir's lover for a while).

p 455 | Le Capitaine Fracasse by Théophile Gautier: This book was promised to the public in 1836 but finally published in 1863. It is centered on a soldier named Fracasse whose adventures portray bouts of chivalry, courage and a sense of adventure. Gautier places the story in his favourite historical era, that of Louis XIII. It is best described as a typical cloak-and-dagger fairy tale where everyone lives happily ever after.

Sodom and Gomorrah IV pp 397-446

p 401 | Francis Planté (1839-1934), French pianist; Ignacy Jan Paderewski (1860-1941), a virtuoso pianist who twice became prime minister of his native Poland; Édouard Risler (1873-1929), a French pianist best known for his playing of Liszt and Beethoven. 

p 401 | "Qualis artifex pereo!": "What an artist perishes in me!," supposedly the Emperor Nero's last words. German classicists had been unable to agree on the worth or authenticity of the Latin poetry attributed to him. 

p 407 | Demoiselles de Caen (lobsters) are small Normandy lobsters; Pampille was the pen name of Mme Marthe Daudet, who wrote cooking & fashion columns in the right-wing paper L'Action run by her husband, Proust's friend Léon.

p 409 | Pierre de Ronsard (1524-85), greatest of French Renaissance poets. His popularity and prosperity in his own time was steady.   

p 411 | buen retiro: Spanish phrase literally meaning "good retreat", used here meaning toilet.

p 411 | An eminent publisher ... paper knife: possibly a description of Eugene Fasquelle, a Paris publisher known to Proust.

p 419 | Jean-Gilbert-Victor Fialin, Due de Persigny (1808-72), was a right-wing politician who became minister of the interior and ambassador to London under the Second Empire.

p 421 | Dumas fils was Alexandre Dumas (1824-95),  novelist & playwright, son of Alexandre Dumas, the novelist of the same name, best known as the author of La Dame aux camelias.

p 424 | Cancan: the word can refer to either an item of unkind gossip, or the quack of a duck. (mid 19th century: from French, a child's word for canard ‘duck,’ from Old French caner ‘to quack.’ The name can-can may be derived from the French for tittle-tattle or scandal. However the dance was also called the coin-coin, which could have become corrupted into can-can.

p 427 | Jean de La Fontaine (1621-95),  the  greatest  of French  fabulists; Jean-Pierre Claris de Florian (1755-94), Voltaire's great-nephew and, as a writer of fables, much influenced by Rousseau.

p 427 | Julien de Monchateau ... "Pico della Mirandola": Francois de Monchateau was celebrated in France as a child prodigy (as was Pic0 della Mirandola in Renaissance Florence).

p 429 | Place Saint-Sulpice: where, in Paris, the cheapest and most tasteless religious objects can be bought.

p 430 |  Ferdinand Barbedienne (1810-92) specialized in casting bronze reproductions of classical statuary, popular with 19th-century bourgeoisie.

p 434 | Harpagon: the sexagenarian bourgeois miser in Molière's comedy L'Avare (The Miser).

p 434-37 | "Chantepie ... Does it deserve its name?": une pie is "a magpie," chanter means "to sing," so that the name should refer to a place where magpies sing.

p 438 | Jules Lachelier (1832-1918), French idealist philosopher, wrote influentially about the problem of induction, and is opposed here to John Stuart Mill, a philosopher known
in France in Proust's day as an extreme empiricist.

p 438 | Jean-Francois Millet (1814-75), celebrated for painting scenes of peasant life, notably the much reproduced L'Angelus.

p 439 | Chantereine: play on words... chanter, to sing and reine means "queen."

p 440-41 | Pont-a-Couleuvre would literally mean "Snake Bridge" or “Serpent bridge,” which was formerly Pont-à-Quileuvre, which in old French stands for Pont a qui l'euvre, in Latin Pons cui aperit, i.e., Pont a qui ouvre, closed bridge opened only upon payment.


p 441 | In none of La Fontaine's or Florian's fables does a frog find itself before the Areopagus, or supreme court of Athens.

p 443 | " 'She has good qualities ...'": the quotation from Mme de Sévigné, modified by Proust, refers to her daughter-in-law.

p 446 | Members of the French Senate, like Charles de Freycinet (1828-1923) and Justin de Selves (1848-1934). Sylva = Latin word for a wood.

p 447-48 | The Tour d'Argent, on the Left Bank, was, and is, one of the great restaurants of Paris; the Hotel Meurice, on the rue de Rivoli, was one of the city's best in Proust's day.  Emile Boutroux (1845-1921) taught philosophy at the Sorbonne, and at one time had Henri Bergson for a pupil. 

p 448-49 | The Forty are the "Immortals," or the 40 members of the Academie Francaise. Not all the names Brichot cites were actual Academicians.

p 449 | Paul Parfouru (1842-1917) was called Porel. He was an actor & theater director, who ran the Odéonon theater from 1884 to 1892, hence the reference to "Odeonia"; his son, Jacques Porel  (1893-1982), was a friend of Proust's.

p 449-51 | "...two trees...": Saint-Martin-du-Chene (un chene is an oak tree) & Saint-Pierre-des-Ifs (un if is a yew tree).

Place Saint-Sulpice

N.B. All entries based primarily based on Sturrock's notes.

Sodom and Gomorrah IV pp 372-97

p 372 | William= German Emperor Wilhelm II. 

p 373 | the Abbaye-aux-Bois: where the celebrated hostess Mme de Récamierher had her salon in Paris, at which, during the 1820s, the great Romantic writers, Chateaubriand among them, read their works in public. 

p 373 | Émilie du Châtelet (1706-49), French mathematician, physicist, and author during the Age of Enlightenment, who had a long liaison with Voltaire. 

p 373 | ... Roman Empress...: possibly Agrippina, wife of Claudius I and mother of Nero, famous for her domineering ways.  (Sturrock) 

p 373 |... like Christ or the Kaiser...: a reference to Christ's injunction in Matthew 10:37; and to Kaiser Wilhelm II's declarations of 1891 that "The will of the King is the supreme law" and that soldiers should obey "without a murmur" if ordered to fire on their own families. (Sturrock) 

p 374 | "You alone did seem ...": "Toi seule me parus ce qu'on cherche toujours." (from Vigny) 

p 378 | Pierre Potain (1825-1901), a prominent Paris medical man, with several literary patients 
(see the Goncourts' Journal); Jean-Martin Charcot (1825-93), greatest of 19th-century neurologists in France, who influenced young Freud when he was a medical student in Paris.

p 380 |the comedies of Pierre de Marivaux (1688-1763) contain numerous aristocrats, but no baronnes. (Sturrock)

p 380 | Eugene Viollet-le-Duc (1814-79) was a champion of Gothic architecture, responsible for the restoration of many medieval buildings. 

p 381 | "Charles-Maurice, Abbé of Perigord"=Talleyrand, both an unbeliever and a Catholic bishop.

p 384 | Vincent d'Indy (1851-1931), composer & teacher, was outspokenly anti-Dreyfus, and also anti-Semitic. The position of Claude Debussy (1862-1918) was more nuanced; ironically, the fiercely partisan disagreements as to the merits or otherwise of his opera, Pelléas et Mélisande , caused it later to be likened to the Dreyfus Affair.

Molière

p 386 | squireen: A person who is half squire, half farmer.  
p 387 | Henri Meilhac (1831-97) wrote plays and comic operas, the best-known of which is La belle Hélène. Brichot is referring to Pascal's famous pensée: "If Cleopatra's nose had been shorter, the whole face of the earth would have been changed." (Sturrock) 
p 393 | Jean-Baptiste Poquelin was the real name of Molière, whose absurd character Argan, in Le malade imaginaire, is the model for Proust's pastiche of medical jargon. Mr. Purgon, a character from the same play.    (Sturrock) 

p 387 | "Uncle, I mean Sarcey": Francisque Sarcey (1827-99) was the leading drama critic of the day, nicknamed "Uncle" for his good sense and middlebrow tastes.   (Sturrock)
 
p 397 | Phineas Taylor Barnum (1810-91), the archetypal American showman and publicist.

Sodom and Gomorrah IV pp 357-72

p 358 | train transportation: here is a map of French railways, 1882. 

p 359 | pecus: Latin for "cattle, sheep, livestock."

p 361 | Emmaus: Luke's Gospel says that Jesus appeared (after his death & resurrection), before two of his disciples while they were on the road to Emmaus.

p 361 | The Sorbonne: Higher education reorganized considerably in France from 1885-96; new universal disciplines were created, often on the German model (Storrock).

p 363 | Trilby: A soft felt men's hat with a deeply indented crown and a narrow brim often upturned at the back.  Un smoking is a tuxedo or dinner jacket. Top Hat=>


p 364 | Princesse de Caprarola: a made-up title, character name; Caprarola is a city in central Italy.

p 370 | Abel-Francois Villemain (1790-1870), critic, Sorbonne professor, politician, Academician.

p 371 | douceur de vivre: the sweetness of living. Pococurantism = indifference, nonchalance, lack of concern. 

p 372 | Charles-Maurice de Talleyrand-Périgord (1754-1838), bishop, statesman, diplomat & political survivor.   

p 372 | Jean François Paul de Gondi (1613-7), Cardinal de Retz, was powerful in both the church and the state; some famous memoirs.  

p 372 | Struggle-for-lifer was an English phrase derived from the Darwinism of the late 19th century.  

Boulanger by Nadar

p 372 | The boulangistes were the supporters of Georges Boulanger (1837-91), a French general and politician, popular during the Third Republic.

Sodom and Gomorrah IV pp 342-357

p 343 | Amphitryon: in Greek mythology, during Amphitryon’s absence, Alcmene became pregnant by Zeus, who, disguised as her husband, visited her; she became pregnant again by her real husband when he returned the next day. Of these unions were born twin boys -- Iphicles was the son of Amphitryon, Heracles the son of Zeus. 

p 345 | Cliff of Criquetot: Not sure if this is it, but it is on the coast of France. 

p 346 | Marcel spent part of autumn 1891 at this beautiful manor in Trouville, home of Arthur Baignères, uncle of his school friend Jacques Baignères. Les Frémonts was the model for La Raspelière, summer home of the Verdurins. Built in an L-shape and on a small cliff, the property looks out on the Channel, and on the other side, the Norman countryside (my translation).

 p 347 | Revue des deux mondes; still being published here and an English introduction is here.

p 353 | French flower girl.

p 347 | Paper by Gene M. Moore on the little train (downloadable), referencing names of towns on the line.


p 356 | Les Maximes, first published in 1665, are by François, Duc de La Rochefoucauld (1613-80). Here's one: "Self-love is the greatest of all flatterers." Here are some more, and here's the whole book.

p 357 | "But won't you, indolent traveler, rest your head/And dream your dreams upon my shoulder?": from a poem by Alfred de Vigny (Storrock) 

Lyre

Sodom and Gomorrah IV pp 323-342

p 324 | Prothyraia, Hera, Neptune, Nereus, Leto, Protogonos, etc. see, for example, Greek Mythology; styrax; saffron; myrrh; manna; Orphic hymns; Amphietes; Orgiophant

p 325 | Sapphism, derived from Sappho.

p 329 | Esther and Athalie by Jean Racine.
 

p 329 | Edgar Dégas drew, painted, and sculpted many ballet dancers. 

p 331 | atavism; seraglio; purlieus

p 331 | La Juive (The Jewish Woman): an opera, with music by Fromental Halévy (1799-1862), first performed in 1835.

p 331 | "C'est un courrier de cabinet": popular tune from Les Brigands, an opera by Jacques Offenbach (1819-80). It was the equivalent of a King's or Queen's messenger.

p 331-32 | Céleste Albaret (née Gineste, 1891-1984), married to a taxi-driver employed by Proust, became his housekeeper in 1914 and worked for him until his death in 1922. Her memories were published in 1973 as Monsieur Proust. (See video here.) Marie Gineste, her unmarried sister, sometimes helped; both originally were from Auvergne.

Leger / Perse

p 336 | Alexis Saint-Leger Leger (1887-1975), French poet and diplomat wrote under the name Saint-John Perse. Éloges appeared in 1911. Real name=Alexis Leger. Nobel Prize for Literature (1960).

p 336 | "Here below the lilacs die...": first line of a poem by Sully Prudhomme (1839-1907), French poet, who received the first Nobel Prize for literature, in 1901. This poem was often set to music. 

p 336 | Archibishop of Tours; Bishop of Rodez.